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VALVE&VINYL

Why Does My Record Player Skip?

Where it skips tells you why. Skipping everywhere is tracking force or a worn stylus; skipping when you walk across the room is a resonance problem; skipping only on loud passages is a specification one manufacturer publishes and the rest do not.

By Stephen V.Published Last verified
A close view of a stylus in a record groove with the tonearm counterweight behind it

The short answer

Set the tracking force to the middle of the cartridge’s published range before anything else, and check the stylus is not worn. Those two fix most skipping. If it only happens on loud passages and the force is correct, the cartridge has run out of tracking ability — and Ortofon is the only manufacturer we cover that publishes a figure for it: 80 µm at 315 Hz for the 2M Blue against 70 µm for the 2M Red. If it happens when someone walks past, it is not the cartridge at all; it is resonance, and it is a furniture problem.

Disclosure: we earn a commission if you buy through the links on this page, at no extra cost to you. It does not influence what we pick — our criteria are published and reproducible, so you can check our work. How we pick · Full disclosure

These picks are spec-and-price analyses, not listening tests. We have not heard this gear and we do not pretend to have: every figure below is sourced to the manufacturer and linked, and every price is live or not shown at all. Here are the rules we followed.

Quick picks

Ranked on the published criteria in How We Pick. Prices are live as of October 10, 2026. Tap any row for the full write-up.

A stylus stays in a groove because a downward force holds it there against the sideways force of the groove wall pushing it around. Skipping is that balance losing. Which half of it lost tells you what to fix, and the single most useful diagnostic is not a specification at all — it is noticing where the record skips.

It skips everywhere, on every record

Tracking force, almost always, and it is almost always too light. Every cartridge publishes a range, and the ranges are narrow:

CartridgePublished tracking forceMaker’s recommended value
Audio-Technica AT-VM95E1.8–2.2 g2.0 g
Audio-Technica AT-VM95ML1.8–2.2 g2.0 g
Ortofon 2M Red and 2M Blue1.6–2.0 g (16–20 mN)1.8 g
Nagaoka MP-1101.5–2.0 gNone published
Grado Prestige Green41.6–1.9 gNone published

The AT-VM95E’s window is 2.0 g ± 0.2 g — a ± 10% band. Setting it at the bottom of the range gives you nothing in reserve for a record that is not perfectly flat, and “as light as possible to protect the record” is the most damaging piece of folklore in vinyl: a stylus that is skating across the groove wall rather than sitting in it does far more harm than one tracking at the manufacturer’s stated force. Set it to the recommended value, or the middle of the range where none is published, and measure it with a gauge rather than trusting the counterweight’s printed scale. Our setup guide has the procedure.

If the force is right and it still skips everywhere, the next suspect is the stylus. A worn tip no longer matches the groove profile and cannot be held by it at any reasonable force. Every cartridge in the Audio-Technica VM95 range takes the same replacement stylus assembly — the AT-VMN95E for the VM95E, the AT-VMN95ML for the ML — so replacing it is a pull-and-push job, not a re-mount. After that: a dirty groove, which is a cleaning problem, and a cartridge that is misaligned in the headshell, which is an alignment problem.

It skips only on loud passages — and here is the specification for that

This is the case that is genuinely about the cartridge, and there is a measurement for it that hardly anybody prints. Tracking ability is the maximum groove amplitude, in micrometres, that the stylus can follow at a given frequency before it mistracks. It is, exactly and literally, the specification for “does it skip on loud music”.

Of every cartridge on this site, Ortofon alone publishes it: 70 µm at 315 Hz for the 2M Red and 80 µm at 315 Hz for the 2M Blue. Audio-Technica publishes none for the VM95E, VM95EN, VM95ML or VM740ML. Nagaoka publishes none. Grado publishes none. So for most of the market there is no way to compare groove-holding ability from published data at all, and the reader is left with adjectives.

What 10 µm of tracking ability is worth

level difference (dB) = 20 × log₁₀(amplitude ratio)

Inputs

Result

80 ÷ 70 = 1.143, so the 2M Blue follows 14% more groove amplitudebefore mistracking. In level terms: 20 × log₁₀(1.143) = 1.16 dBof extra recorded level the Blue can take at 315 Hz where the Red cannot. The two cartridges are otherwise near-identical on the electrical rows Ortofon publishes — same 5.5 mV output, same 1.3 kΩ / 700 mH, same 20 µm/mN compliance, same 1.5 dB channel balance, same recommended load — and differ in stylus (nude against bonded), channel separation (25 dB against 22 dB), response tolerance (+2 /−1 dB against +3 /−1 dB) and this.
1.16 dB is a small headline number for a real effect: mistracking is a threshold, not a gradual degradation, so 14% more amplitude capability is the difference between a loud chorus playing and the stylus leaving the groove. The figure is at 315 Hz only — Ortofon publishes no tracking-ability figure at other frequencies, and tracking is hardest at high frequencies where the groove changes direction fastest.

It skips when someone walks across the room

Then it is not the cartridge, the stylus or the force. It is the arm and cartridge resonating together at a frequency a footstep can excite, and the cure is mechanical isolation: a heavier, more rigid support; a shelf fixed to a wall rather than standing on a suspended floor; and not putting the turntable on the same surface as the speakers.

The resonance frequency is set by the cartridge’s compliance and the arm’s effective mass together, and the target is 8–12 Hz — above the range of footfall and warp energy, below the audio band. Our matching guide carries the formula, the unit conversion and the reason most manufacturers’ data is not sufficient to run it; this page will not duplicate it. What is worth saying here is which direction the published numbers point. Audio-Technica’s VM95E publishes 7 × 10⁻⁶ cm/dyne at 100 Hz, a low-compliance cartridge that suits a heavier arm; Ortofon’s 2M series publishes 20 µm/mN, which is the same unit scaled differently (1 µm/mN = 1 × 10⁻⁶ cm/dyne) but quoted at a different frequency, so the two are not directly comparable. Nagaoka publishes no compliance figure at all for the MP-110, which makes resonance arithmetic impossible for it.

It skips at the same place on one particular record

Then the record is damaged or dirty at that point and no amount of setup will fix it. Try cleaning it first — a surprising proportion of “damage” is compacted debris in the groove. If cleaning does not help, a small increase in tracking force within the published rangewill sometimes get a stylus through a damaged passage. Going above the published maximum to force it through is not a repair; it is trading one record’s bad patch for wear on every record you play afterwards.

It skips on the first track, or the last

Those two are different faults. Skipping or jumping at the very start usually means the arm is being set down outside the lead-in groove, or the anti-skate is set hard enough to pull the arm outward before the groove has taken hold. Skipping on the lasttrack points at inner-groove tracking: the groove radius is smallest there, the linear speed is lowest, and tracing error and distortion are at their worst, so a marginal alignment or a worn stylus fails there first. That makes the final track the best test track on any record — if a setup is going to misbehave, it misbehaves there before it misbehaves anywhere else.

Anti-skate deserves a note of its own. It exists to counteract the inward pull a pivoted arm generates, and both too little and too much cause mistracking — too little loads the inner groove wall, too much the outer. Start at the figure the manufacturer prints for your deck, usually equal to the tracking force, and change it in small steps while listening to a single channel.

The list, in order

  1. Measure the tracking force with a gauge and set it to the maker’s recommended value, not the lightest setting in the range.
  2. Look at the stylus under a magnifier, and replace it if the tip is visibly flattened or the cartridge has hundreds of hours on it.
  3. Check the platter is level and the plinth is not rocking.
  4. Set anti-skate to the manufacturer’s figure, then adjust in small steps.
  5. Clean the record.
  6. Check the cartridge alignment in the headshell.
  7. If it only happens on loud passages with everything else correct, the cartridge has reached its tracking-ability limit — and a cartridge that publishes that figure is the one to replace it with.

A hum is a different problem with a different list, and we have a page for that one. Our cartridge roundup ranks seven cartridges on their published data, including which of them tell you anything about tracking at all.

Every pick in detail

Every specification below links to the manufacturer document we read it from. Where a manufacturer does not publish a figure, we say so rather than estimating it.

1.

Ortofon 2M Blue

Best for a basic MM phono input
Ortofon 2M Blue
$188.00View on Amazon

Price as of October 10, 2026. #ad

The highest published output in this bracket, into the 47 kΩ input every moving-magnet phono stage already has — with a published response tolerance to go with it.

8.6/10
specs
8/10
upgrade path
9/10
value for money
9/10
tracking ability
8/10
published data
10/10
Published specifications for the Ortofon 2M Blue, each linked to the manufacturer document we read it from.
SpecificationPublished valueSource
TypeMoving magnet, quad-coils with split pole pins and OFC coil wireOrtofon spec page
Frequency response20–20,000 Hz, +2 / −1 dBOrtofon spec page
Channel separation25 dB (1 kHz)Ortofon spec page
Channel balance1.5 dB (1 kHz)Ortofon spec page
Output voltage5.5 mV (1 kHz, 5 cm/sec)Ortofon spec page
Tracking ability at 315 Hz80 µmOrtofon spec page
StylusNUDE elliptical, tip radius r/R 8/18 µm, aluminum cantileverOrtofon spec page
Compliance (dynamic, lateral)20 µm/mNOrtofon spec page
Tracking force1.6–2.0 g (16–20 mN); 1.8 g recommendedOrtofon spec page
Internal impedance / inductance1.3 kΩ DC resistance, 700 mHOrtofon spec page
Recommended load47 kΩ, 150–300 pFOrtofon spec page
Weight7.2 gOrtofon spec page

Pros

  • 5.5 mV is the highest published output on this page, so even a low-gain built-in phono stage has an easy job
  • 20–20,000 Hz at +2 / −1 dB — a real tolerance, which neither Audio-Technica nor Denon publishes at any price here
  • 80 µm tracking ability at 315 Hz published
  • Shares the 2M body, so the Bronze and Black styli drop straight in later — the upgrade is a stylus, not a cartridge

Cons

  • 25 dB separation and 1.5 dB channel balance are the loosest Ortofon figures in this bracket; the Bronze publishes 26 dB and 1 dB
  • A nude elliptical at r/R 8/18 µm, the coarsest tip radius of the three Ortofons here
  • Its +2 / −1 dB tolerance is wider than the Bronze's +2 / −0 dB
  • 7.2 g on a light arm still needs checking, and Ortofon publishes no measurement frequency for its compliance figure

Skip it if you already own a 2M Red. The Blue is the same body with a better stylus, so buy the Blue stylus and keep the body you have.

2.

Ortofon 2M Red

Best published data
Ortofon 2M Red
$109.99View on Amazon

Price as of October 10, 2026. #ad

The only cartridge here whose maker publishes a frequency response with a tolerance and a tracking-ability figure, which makes it the one you can actually verify a claim against.

8.2/10
specs
8/10
upgrade path
8/10
value for money
8/10
tracking ability
7/10
published data
10/10
Published specifications for the Ortofon 2M Red, each linked to the manufacturer document we read it from.
SpecificationPublished valueSource
TypeMoving magnet, quad-coils with split pole pins and OFC coil wireOrtofon spec page
Frequency response20 Hz – 20 kHz, +3 / −1 dBOrtofon spec page
Channel separation22 dB (1 kHz)Ortofon spec page
Channel balance1.5 dB (1 kHz)Ortofon spec page
Output voltage5.5 mV (1 kHz, 5 cm/sec)Ortofon spec page
Tracking ability at 315 Hz70 µmOrtofon spec page
StylusElliptical, tip radius r/R 8/18 µm, aluminum cantileverOrtofon spec page
Compliance (dynamic, lateral)20 µm/mNOrtofon spec page
Tracking force1.6–2.0 g (16–20 mN); 1.8 g recommendedOrtofon spec page
Tracking angle20°Ortofon spec page
Internal impedance / inductance1.3 kΩ DC resistance, 700 mHOrtofon spec page
Recommended load47 kΩ, 150–300 pFOrtofon spec page
Weight7.2 gOrtofon spec page

Pros

  • 20 Hz – 20 kHz at +3/−1 dB — a real tolerance, which neither Audio-Technica nor Nagaoka publish
  • 70 µm tracking ability at 315 Hz published, a spec almost nobody else quotes
  • 5.5 mV output, the highest here, so quiet phono stages have an easier job
  • The 2M Blue stylus drops straight into this body, so the upgrade is a stylus swap

Cons

  • 22 dB separation is mid-pack, and the Blue's 25 dB shows what the same body can do
  • A bonded elliptical stylus at this price, where the Blue's is nude
  • 7.2 g is the heaviest cartridge in this group — it matters on a light arm
  • Ortofon quotes compliance at the 10 Hz convention while Audio-Technica quotes 100 Hz; the two numbers are not directly comparable

Skip it if you plan to buy the 2M Blue within a year. The Blue is the same body with a better stylus, so buying Red first and upgrading costs more in total than starting at Blue.

3.

Audio-Technica AT-VM95E

Best first upgrade
Audio-Technica AT-VM95E
$63.25View on Amazon

$74.0015% off

Price as of October 10, 2026. #ad

The cheapest way into a cartridge body that accepts seven different styli, so every later upgrade costs a stylus rather than a cartridge.

8.4/10
specs
7/10
upgrade path
10/10
value for money
10/10
tracking ability
6/10
published data
9/10
Published specifications for the Audio-Technica AT-VM95E, each linked to the manufacturer document we read it from.
SpecificationPublished valueSource
TypeVM stereo dual magnet (moving magnet)Audio-Technica spec page
Frequency response20–22,000 Hz (no tolerance published)Audio-Technica spec page
Channel separation20 dB (1 kHz)Audio-Technica spec page
Output voltage4.0 mV (1 kHz, 5 cm/sec)Audio-Technica spec page
Output channel balance2.0 dB (1 kHz)Audio-Technica spec page
Stylus0.3 × 0.7 mil elliptical, bonded round shankAudio-Technica spec page
CantileverAluminum pipeAudio-Technica spec page
Dynamic compliance7 × 10⁻⁶ cm/dyne (100 Hz)Audio-Technica spec page
Static compliance17 × 10⁻⁶ cm/dyneAudio-Technica spec page
Tracking force1.8–2.2 g (2.0 g standard)Audio-Technica spec page
Recommended load47,000 Ω, 100–200 pFAudio-Technica spec page
Mount / weightHalf-inch mount, 6.1 gAudio-Technica spec page
Replacement stylusAT-VMN95E — the whole VM95 stylus range drops into this same bodyAudio-Technica spec page

Pros

  • The VM95 body takes the entire VM95 stylus range — conical through Shibata — so the upgrade path costs a stylus, not a cartridge
  • 4.0 mV output is the highest of any Audio-Technica cartridge here, so it suits low-gain phono stages
  • Audio-Technica publishes both static and dynamic compliance, which is what arm matching needs
  • Already fitted to several decks we recommend, so you may own one without knowing

Cons

  • A bonded round-shank stylus — the diamond is glued to a metal carrier rather than being solid, which adds tip mass
  • 20 dB channel separation is the lowest figure in this group
  • 2.0 dB channel balance is the loosest here; the ML is 1.5 dB
  • Audio-Technica publishes no tolerance on the 20–22,000 Hz response

Skip it if your deck already ships with a VM95E — several do, and buying a second one changes nothing. Buy a better stylus for the body you own instead.

Frequently asked questions

Why does my record player skip?
Where it skips identifies the cause. Everywhere, on every record: tracking force set too light, or a worn stylus. Only on loud passages: the cartridge has reached its tracking-ability limit. When someone walks past: arm and cartridge resonance, which is a support problem. At one spot on one record: damage or dirt in that groove.
What tracking force should I use?
The manufacturer's recommended value, measured with a gauge rather than read off the counterweight scale. Audio-Technica recommends 2.0 g for the VM95E and VM95ML within an 1.8 to 2.2 g range; Ortofon recommends 1.8 g for the 2M Red and Blue within 1.6 to 2.0 g. Setting it at the bottom of the range leaves no reserve for a record that is not perfectly flat.
Does a lighter tracking force protect my records?
No — the opposite. A stylus that is too light skates across the groove wall instead of sitting in it, and that does more damage than tracking at the manufacturer's stated force. The published range is where the cartridge was designed to work; the recommended value inside it is where it works best.
What specification tells me if a cartridge will skip?
Tracking ability, measured in micrometres of groove amplitude at a stated frequency. Ortofon is the only manufacturer we cover that publishes it: 80 micrometres at 315 Hz for the 2M Blue and 70 for the 2M Red, which is 14% more amplitude capability or about 1.16 dB of extra recorded level. Audio-Technica, Nagaoka and Grado publish no figure for any of their cartridges we cover.
Why does my turntable skip when I walk across the room?
Because the arm and cartridge are resonating at a frequency a footstep excites. The target resonance is 8 to 12 Hz, set by the cartridge's compliance and the arm's effective mass together. The cure is mechanical: a wall-mounted or rigid support rather than a suspended floor, and not sharing a surface with the speakers.
Why does my record skip on the last track?
Because the inner groove is where tracking is hardest — the smallest radius, the lowest linear speed, the highest tracing error — so a marginal alignment or a worn stylus fails there before it fails anywhere else. That makes the last track on a record the most useful test track you have.
Have you tested these cartridges?
No, and we do not claim to have. Every tracking force window, compliance figure and tracking-ability number on this page is the manufacturer's own published specification with the page it was read from, and we say explicitly which makers publish nothing for the figure that matters most here.

Sources

Every specification on this page was read from one of these documents. If one of them has changed, or we have made an error, tell us — corrections are logged and dated per our editorial policy.